"We definitely learned a lot about feedback in 3D space versus 2D space,” Flesser says. Swipe controls continued to evolve as the team tested prototypes, with the game’s constant camera movements and zooms being a particular challenge. “We opted for a more swiped base input for gameplay so that the player avatar moves when the player actually moves their finger,” Flesser says.
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This also helps the game live equally at home on a touchscreen, third-party game controller, or Apple TV remote.
As such, the team intentionally kept the controls platform agnostic.
“We worked a lot with the contrast between dangerous stuff, positive stuff, characters, vehicles.” Each of these items was both differently colored and shaped to provide the maximum best possible contrast.īecause the game moves so fast, it was imperative to create controls both easy to follow and intuitive to use. “We needed to work with very simple shapes and distinctive colors because it's just swooshing by… you can't have much detail,” says Flesser. Within the tarot card frame, Sayonara’s distinctive colors and geometric shapes create contrast between characters and the background, providing crisp views as people play through the game’s chapters with taps and swipes. The tarot cards also influenced some of the broader conceptual designs and bigger items like the vehicles driven by various game characters. “ are all based on cards from the Major Arcana deck,” Flesser says.
Simogo continued playing with recognizable themes and objects as the team refined characters for Sayonara. Go with what your heart tells you and what your gut tells you… Because I think that's the only way that you will get something that feels like it has something to say or that it's an honest piece of work… once you start thinking too much about what you're making and what you're trying to say with it, then there's some kind of intangible magic lost because the project needs to tell you what it is instead of you telling the project what it is. “ were in hues of purple and pink and blue,” Flesser says. And as the new songs came into focus, the prototype’s color scheme began to shift as well. “I literally said, ‘This is it.’” They began writing original pop songs around this new tone the very next day. The game’s prototype reflected this darker style - until, one day, an overly energetic pop song from the playlist came into rotation during a playtest.Įarly concept art for Sayonara Wild Hearts. “It started very differently, with a much more sinister tone,” Flesser tells us. To capture the musical foundation for the game, Simogo began with a large playlist of music that represented the essence of the project. So we wanted to try and capture that feeling, while not losing the feeling of being in constant control of the game.” “We looked at games that use video a lot… where those game fail in interactivity, they really succeed in spectacle. “We often try to find inspiration in things we don’t necessarily like, but see the potential in,” Flesser says. “ we naturally fell into the idea of wanting to make something that felt like the arcade games we great up with and played when we were young.” Games like Star Fox provided inspiration for the team, as did the musical integration through titles like Rez. “We wanted everything in the game to echo that sense of approachability,” Flesser says. While the two have often created playlists of brainstorm music and scoring for their games, the conceit for Sayonara was unique: What if you could take the ubiquity of the breakup album and make it interactive through the best tropes of 80s and 90s arcade games? “This is a game that is very much about the music,” says Simon Flesser, who along with his co-founder Gordon Gardebäck makes up the game company Simogo. Ever-shifting gameplay and an electrifying beat capture the stages of reflecting on a broken relationship, illuminated by a psychedelic canvas of bright rainbow colors and geometric shapes. Sayonara Wild Hearts, however, uses the approachability of the topic and transforms it into an exploration on lost love, finding independence, and moving on. The road of relationships is particularly well-traveled where art is concerned.
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Art can reflect emotions we can’t process in spoken word alone: Paintings capture these feelings in color and scale, films reflect our world back to us through new light, and music puts melody to the words we don’t know how to - or cannot - say.
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